Anthrax-I'm The Man US 1987-12 Vinyl
13 Jul

Anthrax-I’m The Man US 1987-12 Vinyl

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Tracks A1 & A2 produced for Remarkable Productions. Track A3 is a cover of [a144998]. Tracks B2 & B3 recorded July 11, 1987 at the Arcadia Theater in Dallas, Texas on the "Among The Living" tour. Mastered at Sterling Sound. Published by Black Lion Music/Anthrax Music (ASCAP), except track A3 published by Essex Music International Inc. (ASCAP) ℗ © 1987 Island Records, Inc. Distributed by Atco Records, division of Atlantic Recording Corporation Runout etched, except: [Source Logo] and STERLING stamped.
Ry Cooder-The Prodigal Son red-LP Vinyl
13 Jul

Ry Cooder-The Prodigal Son red-LP Vinyl

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Issued on 180-gram vinyl with printed inner sleeve and download card. Made in the EU. Duration not listed on release. All recordings ℗ 2018 Perro Verde Records, LLC. Artwork © 2018 Perro Verde Records, LLC. Fantasy Records / Concord Music Group Inc. under exclusive license to Caroline International.
Antemasque-Antemasque EU 2014-LP Vinyl
13 Jul

Antemasque-Antemasque EU 2014-LP Vinyl

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Distributed exclusively by Caroline International Copyright 2014 Amputekhture (ASCAP), Hija de Lola (ASCAP) Sticker on shrink foil reads: New project from former Mars Volta and At The Drive In members, Omar Rodriguez-Lopz and Cedric Bixler Zavala... 00811790022031
The Rolling Stones-No Security EU 1998-LP Vinyl
13 Jul

The Rolling Stones-No Security EU 1998-LP Vinyl

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Generic anti-static die-cut poly lined dust inner sleeves with rounded corners and matte cover. [Sticker on front cover:] ROLLING STONES NO SECURITY LIVE - FROM THE BRIDGES TO BABYLON TOUR SECURITY 1 [Printed on back cover:] All tracks from live performances at the Arena Amsterdam, River Plate Buenos Aires, Zeppelinfeld Nuremberg, TWA Dome in St. Louis and MTV's “Live From The 10 Spot”. Recorded utilizing Remote Recording Services (New York & Buenos Aires), Eurosound, Hilton Sound/Dreamhire (Amsterdam & Nuremberg), Effanel Music (MTV). Studios: Metropolis, E.D.S., LesStudio Davout, Olympic Studio's Dave Matthews appears courtesy of the RCA Records Label. Taj Mahal vocals on “Corinna” appears courtesy of Private Music. Joshua Redman saxophone “Waiting On A Friend” appears courtesy of Warner Bros. Records. Lisa Fischer appears through the courtesy of Melonie Music Inc. Andy Snitzer appears through the courtesy of Warner Bros. Records. Meteor Soundscape by Crunch Recording Group, Toronto Bridges To Babylon Tour promoted by The TNA Group “ROLLING STONES” and Tongue and Lip Design are Trademarks of Musidor B.V. ℗ 1998 Virgin Benelux B.V. © 1998 Promotone B.V. Printed in the E.U. [Printed on label side B:] © 1998 Virgin Records Ltd. Printed in the EU Promopub B.V. [tracks: A2, A4, B3] ABKCO Music Ltd. [tracks: A3] EMI Publishing Ltd. [tracks: B1, B3, B4] [Printed on label side D:] © 1998 Virgin Records Ltd. Printed in the EU Promopub B.V. [tracks: D1, D3] Pubpromo Music [tracks: D1] ABKCO Music Ltd. [tracks: C1, C2, D2] EMI Publishing Ltd. [tracks: C3]
The Saints-The Most Primitive Band In The World (Live From The Twilight Zone Brisbane 1974)-LP Vinyl
13 Jul

The Saints-The Most Primitive Band In The World (Live From The Twilight Zone, Brisbane 1974)-LP Vinyl

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Text on back sleeve: These tracks were recorded early-to-mid `74, almost a year after the band had formed and almost 2 1/2 years before the release of the first Saints` single in 1976. The recording was made in Ed Kuepper`s parents` garage, except for "Misunderstood" which was recorded at Queensland University, direct onto a mono cassette-deck and features the second line-up of the band. Before this the Saints were a 3-piece, with Ivor Hay on piano and no drummer. In a different universe this would have been the first Saints LP. It captures the band near the beginning of its first phase, as opposed to the EMI release which was at the end, and without getting into a debate about aesthetics, this one`s probably better. Possibly due to the 3 million line-up changes and years of rejection that followed, a bit of spontaneity may have been knocked out of the Saints. Whatever, compared to these recordings, the EMI album sounds, ironically, almost a bit formularized. Certainly, Chris Bailey`s singing doesn't get much better than the rather spiffing performance contained herein and Ivor Hay`s playing has a panache that maybe wasn't matched by later bass-players. Laurie`s Deonardo Coleman-style drumming also had a lot going for it. Anyway, if you like the early Saints, have a listen to to this, lots of love, Edmund Kuepper P.S. Thanks to Tony Forde for the motorbike and Joe Borkowski for the photos.