The Real Kids
Outta Place / All Kinda Jerks Live1 x CD 22,90 €
Track 1-9 recorded at Perfect Crime Studios, Watertown, MA. – from [r1637641]
Tracks 10-20 recorded live at Paris Bataclan feb. 2nd 1983 – from [r2398309]
The Real McKenzies
Two Devils Will Talk1 x LP Vinyl 29,90 €
Limited to 437 copies on oxblood/beer colored vinyl.
Includes printed lyricsheet.
Drums recorded at The Armoury Vancouver, Guitars recorded at Fader Mountain.
The Rebels
Digging Up The Dom EP1 x 7" Vinyl 8,90 €
The Resistance
Kidnapped1 x 7" Single (Vinyl) 5,90 €
b/w Say No To The Macho
The Rezillos
Can't Stand The Rezillos1 x LP Vinyl 21,90 €
180 gram black vinyl release. With insert.
The Roadblocks
Troubled Times1 x LP Vinyl 13,90 €
includes CD and insert
The Rumperts
Escapism1 x LP Vinyl 21,90 €
Edition of 150 copies on white and black with pink dots vinyl.
Includes innersleeve with lyrics and credits.
The Running Dogs
Present Tense / Click Click Propaganda1 x 7" Single (Vinyl) 14,90 €
1979 Punk/Power Pop 2-track single, released in plain white sleeve
The Sainte Catherines
Fire Works1 x LP Vinyl 22,90 €
blue marbled vinyl, with printed inner sleeve
The Saints
The Most Primitive Band In The World (Live From The Twilight Zone, Brisbane 1974)1 x LP Vinyl 44,90 €
Text on back sleeve: These tracks were recorded early-to-mid `74, almost a year after the band had formed and almost 2 1/2 years before the release of the first Saints` single in 1976. The recording was made in Ed Kuepper`s parents` garage, except for „Misunderstood“ which was recorded at Queensland University, direct onto a mono cassette-deck and features the second line-up of the band. Before this the Saints were a 3-piece, with Ivor Hay on piano and no drummer.
In a different universe this would have been the first Saints LP. It captures the band near the beginning of its first phase, as opposed to the EMI release which was at the end, and without getting into a debate about aesthetics, this one`s probably better.
Possibly due to the 3 million line-up changes and years of rejection that followed, a bit of spontaneity may have been knocked out of the Saints. Whatever, compared to these recordings, the EMI album sounds, ironically, almost a bit formularized. Certainly, Chris Bailey`s singing doesn’t get much better than the rather spiffing performance contained herein and Ivor Hay`s playing has a panache that maybe wasn’t matched by later bass-players. Laurie`s Deonardo Coleman-style drumming also had a lot going for it.
Anyway, if you like the early Saints, have a listen to to this, lots of love,
Edmund Kuepper
P.S. Thanks to Tony Forde
for the motorbike and Joe Borkowski for the photos.