Mastering, Music Base Studio, Bielefeld.

℗&© 2024 Spoon Records under exclusive license to Mute Artists Limited for the world outside Germany, Austria and Switzerland.
Made in Germany.

Packaged in a single sleeve with 4-sided 12 inch insert with sleeve notes.

Recorded live at Aston University, Birmingham, UK, 4 March 1977

On hype sticker (transparent with white lettering):
Limited Edition Curacao Vinyl
with extensive sleeve notes
includes digital download

℗ & © 2021 Spoon Records under exclusive license to Mute Artists Limited for the world outside Germany, Austria and Switzerland.
Printed in the EU.

Single sleeve inside fully black printed with white artwork illustrations (see photo).

Runouts are etched.

Produced for „Fink & Star“ Production Ltd. CH-8031 Zürich Switzerland.
Recorded December 1986 at Outer Space Studio Nice France.
Mixed 1988 at Can – Studio Weilerswist Germany.
Edited 1989 in Holger’s Lab for Degenerated Music Cologne Germany.
(C) 1989 Spoon Musik (GEMA)
Made in W.-Germany

Standard Edition

Recorded in
1968: CD1 Track 2 + 4 + 7 + 8, CD2 Track 2 + 4
1969: CD1 Track 1 + 5 + 6, CD2 Track 1 + 5
1970: CD3 Track 2
1971: CD2 Track 3, CD3 Track 5
1972: CD1 Track 3 + 9, CD2 Track 6 + 7 + 9, CD3 Track 10
1973: CD2 Track 8, CD3 Track 11
1974: CD2 Track 10, CD3 Track 9
1975: CD3 Track 1 + 3 + 4 + 8
1976: CD3 Track 7
1977: CD3 Track 6

The front cover gives the dates „1968 1975“ as the timespan of the recordings. This is incorrect: the latest recording included („Barnacles“) is from 1977, as detailed above.

Additional Info
CD1 Track 1 – Score for the film „Das Millionenspiel“
CD1 Track 5 – Score for the film „Ein großer graublauer Vogel“
CD2 Track 7 – Score for the film „Tote Taube in der Beethovenstrasse“
CD3 Track 3 – Score for the series „Euro Gang“
CD3 Track 5 – Score for the film „Das Messer“
CD3 Track 9 – Score for the film „Alice in den Städten“

CD2 Track 8 and CD3 Tracks 1 and 4 are live concert recordings. These are listed without the „Live“ suffix on the back cover, but the suffix is present in Irmin Schmidt’s liner notes for all three. CD3 Track 6 is also described as a live recording, but Schmidt writes that he has „no idea“ whether it was recorded onstage or in a studio.