Limited editon of only 100 copies on green splatter/clear vinyl.

„Loser Edition“ purple vinyl. Per Sub Pop 3000 were pressed.
Includes a download card and a printed inner sleeve.

© ℗ 2018 Sub Pop Records. Sub Pop is a registered trademark of Sub Pop Records.
2013 4th Ave., 3rd Floor, Seattle, WA 98121 www.subpop.com

Recorded and mixed at Bisquiteen, Amherst, MA.
Mastered […] at Sterling Sound, NYC.

All songs […] ©2018 Spam As The Bread Music, Admin by BMG (BMI)

Tracks listed sequentially from 1 to 12 on labels.

Gatefold sleeve.
Includes an 11-inch booklet and a [url=https://www.discogs.com/release/9074022]Download Card[/url].

© 2016 Third Face, LLC & ℗ 2016 Third Man Records, LLC. Label has these the other way round ℗ 2016 Third Face, LLC, © 2016 Third Man Records, LLC.
All songs remastered 2016 by Andrew Mendelson at Georgetown Masters in Nashville, TN.

Tracks are listed sequentially (regardless of sides) from 1 to 26 on release.

Sticker on sleeve: „The essential Jack White songwriting collection double LP including alternate versions and previously unreleased recordings from The White Stripes, The Raconteurs and solo albums completely remastered“.

black vinyl edition

The record was pressed in the U.S. and distributed worldwide. So some copies might have different hype stickers on shrink wrap (from the country of distribution).

„Ultra LP“ release featuring several special features:
· Tracks A6 and B7 are locked grooves featuring elements from their respective previous tracks. „High Ball Stepper“ doesn’t end with a faded-out distortion as in the digital versions, it is locked instead.
· Tracks A7 and B8 are hidden tracks pressed on their sides‘ labels, and play at 78 RPM and 45 RPM respectively, thus making the LP a three speed record.
· Side A’s groove is inverted and plays from the inside out.
· „Just One Drink“ consists of two different intros, each in its own groove, with both connecting at the body of the song. BA1 is acoustic, BB1 is electric.
· Side B has a matte finish, giving the appearance of an un-played 78 RPM record.
· Vinyl is pressed in flat-edged format.
· Tracks B3 and B4 are swapped in comparison to the digital editions, and B2 features a slightly longer intro.
· The vinyl was mastered entirely from analog sources with no additional compression used.

Tracks A1 to A5 and BA1/BB1 to B6 are listed continuously from 1 to 11 and play at 33 ⅓ RPM.
Track A7 is an uncredited reworking of ‚Pusherman‘, originally by Curtis Mayfield.
Durations unlisted, approximates obtained by digitizing the vinyl audio.

Jacket features Soft Touch aqueous coating. Record comes in die-cut black paper poly sleeve. Also included are an insert with lyrics and credits, and a [url=http://www.discogs.com/release/5829055]digital download[/url] card for the album in MP3 format, which also shows info about the hologram.

Some copies have the same label on both sides of record.

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Published by Third String Tunes (BMI)

Recorded at Third Man Studio in Nashville, TN 2012-2014

Mastered by Bob Ludwig at Gateway Mastering Studios in Portland, ME

Additional Photography: Lewis Hine, Courtesy of the National Archives and Records Administration (photo no. 102-LH-1919)

Jack White is exclusively managed by Ian Montone at [a=Monotone, Inc.]

Lazaretto is dedicated to: [url=http://www.discogs.com/artist/1159557]Florence Green[/url], [url=http://www.discogs.com/artist/3757446]Voltairine de Cleyre[/url], and Amazing Grace Hopper

This album is identical in features and appearance like the other TMR-271 versions, but this copy does not have the hologram on the deadwax of Side A as described on the download card. Both sides of the runouts are completely blank with no etchings or stamps of the catalog number or pressing plant ID.