Ry Cooder-Live In San Francisco-LP Vinyl

Ry Cooder-Live In San Francisco-LP Vinyl

Single sleeve, contains 11.5"x11.5" coloured inlay with credits and photos Recorded live August 31 and September 1, 2011 at The Great American Music Hall, San Francisco, CA
Ali Farka Touré-Talking Timbuktu Reissue 2015-LP Vinyl

Ali Farka Touré-Talking Timbuktu Reissue 2015-LP Vinyl

Recorded and mixed at Ocean Way Recording Studio, Los Angeles, September 1993 Mastered at Bernie Grundman Mastering, Los Angeles Original CD design by Matt at Intro, London John Patitucci appears courtesy of GRP Records Made in EU (inlay) Made in the EU (labels) ℗ 1994 World Circuit © 1994 World Circuit Includes previously unreleased bonus track. Download code enclosed | 180g vinyl Single sleeve holds both LPs. Includes printed inlay with photos and credits. Copies distributed in the US have a different barcode on a sticker on the shrink covering the barcode on the back cover. Copies distributed in Italy have a S.I.A.E. sticker.
The Saints-The Most Primitive Band In The World (Live From The Twilight Zone Brisbane 1974)-LP Vinyl

The Saints-The Most Primitive Band In The World (Live From The Twilight Zone, Brisbane 1974)-LP Vinyl

Text on back sleeve: These tracks were recorded early-to-mid `74, almost a year after the band had formed and almost 2 1/2 years before the release of the first Saints` single in 1976. The recording was made in Ed Kuepper`s parents` garage, except for "Misunderstood" which was recorded at Queensland University, direct onto a mono cassette-deck and features the second line-up of the band. Before this the Saints were a 3-piece, with Ivor Hay on piano and no drummer. In a different universe this would have been the first Saints LP. It captures the band near the beginning of its first phase, as opposed to the EMI release which was at the end, and without getting into a debate about aesthetics, this one`s probably better. Possibly due to the 3 million line-up changes and years of rejection that followed, a bit of spontaneity may have been knocked out of the Saints. Whatever, compared to these recordings, the EMI album sounds, ironically, almost a bit formularized. Certainly, Chris Bailey`s singing doesn't get much better than the rather spiffing performance contained herein and Ivor Hay`s playing has a panache that maybe wasn't matched by later bass-players. Laurie`s Deonardo Coleman-style drumming also had a lot going for it. Anyway, if you like the early Saints, have a listen to to this, lots of love, Edmund Kuepper P.S. Thanks to Tony Forde for the motorbike and Joe Borkowski for the photos.