The record was pressed in the U.S. and distributed worldwide. So some copies might have different hype stickers on shrink wrap (from the country of distribution).<\/p>\n
„Ultra LP“ release featuring several special features:
\n\u00b7 Tracks A6 and B7 are locked grooves featuring elements from their respective previous tracks. „High Ball Stepper“ doesn’t end with a faded-out distortion as in the digital versions, it is locked instead.
\n\u00b7 Tracks A7 and B8 are hidden tracks pressed on their sides‘ labels, and play at 78 RPM and 45 RPM respectively, thus making the LP a three speed record.
\n\u00b7 Side A’s groove is inverted and plays from the inside out.
\n\u00b7 „Just One Drink“ consists of two different intros, each in its own groove, with both connecting at the body of the song. BA1 is acoustic, BB1 is electric.
\n\u00b7 Side B has a matte finish, giving the appearance of an un-played 78 RPM record.
\n\u00b7 Vinyl is pressed in flat-edged format.
\n\u00b7 Tracks B3 and B4 are swapped in comparison to the digital editions, and B2 features a slightly longer intro.
\n\u00b7 The vinyl was mastered entirely from analog sources with no additional compression used.<\/p>\n
Tracks A1 to A5 and BA1\/BB1 to B6 are listed continuously from 1 to 11 and play at 33 \u2153 RPM.
\nTrack A7 is an uncredited reworking of ‚Pusherman‘, originally by Curtis Mayfield.
\nDurations unlisted, approximates obtained by digitizing the vinyl audio.<\/p>\n
Jacket features Soft Touch aqueous coating. Record comes in die-cut black paper poly sleeve. Also included are an insert with lyrics and credits, and a [url=http:\/\/www.discogs.com\/release\/5829055]digital download[\/url] card for the album in MP3 format, which also shows info about the hologram.<\/p>\n
Some copies have the same label on both sides of record.<\/p>\n
—-<\/p>\n
Published by Third String Tunes (BMI)<\/p>\n
Recorded at Third Man Studio in Nashville, TN 2012-2014<\/p>\n
Mastered by Bob Ludwig at Gateway Mastering Studios in Portland, ME<\/p>\n
Additional Photography: Lewis Hine, Courtesy of the National Archives and Records Administration (photo no. 102-LH-1919)<\/p>\n
Jack White is exclusively managed by Ian Montone at [a=Monotone, Inc.]<\/p>\n
Lazaretto is dedicated to: [url=http:\/\/www.discogs.com\/artist\/1159557]Florence Green[\/url], [url=http:\/\/www.discogs.com\/artist\/3757446]Voltairine de Cleyre[\/url], and Amazing Grace Hopper<\/p>\n
This album is identical in features and appearance like the other TMR-271 versions, but this copy does not have the hologram on the deadwax of Side A as described on the download card. Both sides of the runouts are completely blank with no etchings or stamps of the catalog number or pressing plant ID.<\/p>\n","protected":false},"excerpt":{"rendered":"
The record was pressed in the U.S. and distributed worldwide. So some copies might have different hype stickers on shrink wrap (from the country of distribution).<\/p>\n
„Ultra LP“ release featuring several special features:
\n\u00b7 Tracks A6 and B7 are locked grooves featuring elements from their respective previous tracks. „High Ball Stepper“ doesn’t end with a faded-out distortion as in the digital versions, it is locked instead.
\n\u00b7 Tracks A7 and B8 are hidden tracks pressed on their sides‘ labels, and play at 78 RPM and 45 RPM respectively, thus making the LP a three speed record.
\n\u00b7 Side A’s groove is inverted and plays from the inside out.
\n\u00b7 „Just One Drink“ consists of two different intros, each in its own groove, with both connecting at the body of the song. BA1 is acoustic, BB1 is electric.
\n\u00b7 Side B has a matte finish, giving the appearance of an un-played 78 RPM record.
\n\u00b7 Vinyl is pressed in flat-edged format.
\n\u00b7 Tracks B3 and B4 are swapped in comparison to the digital editions, and B2 features a slightly longer intro.
\n\u00b7 The vinyl was mastered entirely from analog sources with no additional compression used.<\/p>\n
Tracks A1 to A5 and BA1\/BB1 to B6 are listed continuously from 1 to 11 and play at 33 \u2153 RPM.
\nTrack A7 is an uncredited reworking of ‚Pusherman‘, originally by Curtis Mayfield.
\nDurations unlisted, approximates obtained by digitizing the vinyl audio.<\/p>\n
Jacket features Soft Touch aqueous coating. Record comes in die-cut black paper poly sleeve. Also included are an insert with lyrics and credits, and a [url=http:\/\/www.discogs.com\/release\/5829055]digital download[\/url] card for the album in MP3 format, which also shows info about the hologram.<\/p>\n
Some copies have the same label on both sides of record.<\/p>\n
—-<\/p>\n
Published by Third String Tunes (BMI)<\/p>\n
Recorded at Third Man Studio in Nashville, TN 2012-2014<\/p>\n
Mastered by Bob Ludwig at Gateway Mastering Studios in Portland, ME<\/p>\n
Additional Photography: Lewis Hine, Courtesy of the National Archives and Records Administration (photo no. 102-LH-1919)<\/p>\n
Jack White is exclusively managed by Ian Montone at [a=Monotone, Inc.]<\/p>\n
Lazaretto is dedicated to: [url=http:\/\/www.discogs.com\/artist\/1159557]Florence Green[\/url], [url=http:\/\/www.discogs.com\/artist\/3757446]Voltairine de Cleyre[\/url], and Amazing Grace Hopper<\/p>\n
This album is identical in features and appearance like the other TMR-271 versions, but this copy does not have the hologram on the deadwax of Side A as described on the download card. Both sides of the runouts are completely blank with no etchings or stamps of the catalog number or pressing plant ID.<\/p>\n","protected":false},"featured_media":179783,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[150],"product_tag":[],"class_list":{"0":"post-179781","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-alternative-rock","7":"pa_att_artist-jack-white","8":"pa_att_format-lp-vinyl","9":"pa_att_genre-alternative-rock","10":"pa_att_jahr-336","11":"pa_att_label-third-man-records","12":"pa_att_land-us","14":"first","15":"instock","16":"taxable","17":"shipping-taxable","18":"purchasable","19":"product-type-simple"},"acf":[],"yoast_head":"\n